![]() ![]() ![]() Thankfully the scenario takes a major turn post intermission as the progression gains momentum and it all gets on the right path with everyone joining in for a big fat marriage. ![]() The director is unable to extract a good comedy from his performers due to an unexciting writing and the film truly disappoints before the interval. Beginning with an unimpressive sting operation scene in a school, its first hour is a big drag with nothing great happening on the screen despite the presence of some exceptionally talented actors. Moreover the dialogues are all written with a typical Punjabi touch, which completely fails to generate even half of what we all enjoyed a lot in both KKG and VD. Following the above mentioned vision, the director tries to retain the same Punjabi feel, placing his characters in the good old Delhi, one of the most favourite city of Bollywood directors in the last few years. So in my opinion, this must have been the thought process behind the making of this poor clone of KHOSLA KA GHOSLA as it seems. And then to make it a more commercial viable product, they get Tusshar Kapoor (as the hero), Ravi Kishan (as the villain) & Vishakha Singh to play the forced in romantic lead which was not required at all. Now further taking a clue from the recent success of VD, they bring in Dolly Alhuwalia & even Kamlesh Gill to woo the audience. So working on this exciting idea, they first got a script written, mostly inspired from the plot of KKG wherein a huge sum needs to be stolen back from a cunning businessman and roped in Vinay Pathak, Ranveer Shorey & Rajender Sethi, the three men playing key roles in the same movie. Taking a wild guess on the basic idea behind this film, it seems that the makers wished to make something on the lines of KHOSLA KA GHOSLA along with the references of the big surprise hit VICKY DONOR. As a result, till the story progression gains it desired momentum, it becomes too late for this comparatively short duration film of only 107 minutes and the viewer largely remains unsatisfied while moving out. The film has a star-cast promising you an enjoyable ride but the not so happening script never lets them perform to the best of their ability except in the final half an hour. Projected as a laugh riot in its promotional campaign, BAJATEY RAHO is actually a revenge con drama trying too hard to entertain the viewer with its not so hilarious sequences. ![]()
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